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Showing posts with label themes. Show all posts
Showing posts with label themes. Show all posts

Saturday, 14 November 2015

The Fountainhead by Ayn Rand

“To sell your soul is the easiest thing in the world. That's what everybody does every hour of his life. If I asked you to keep your soul - would you understand why that's much harder?” 

The Fountainhead by Ayn Rand is about architect, Howard Roark, working against the tides of society. He knows what he wants, and has a need to design. However, his designs are his own and are not accepted by a society of ‘second-handers’. His genius and independence are threats to the way society is functioning. His rivals, those who seek power, control and self-sacrifice from the common people, will stop at nothing to bring him down. There are only a few people who are Roark’s equal. But even Dominique Francon has much to learn about Roark’s philosophy.

It is strange that Rand’s novels have a way of making me like them at the end, no matter how much I hated it in the middle. I found The Fountainhead, much easier to read than Atlas Shrugged. But despite this, there were moments that I thought the story was heading down hill. I struggled to understand some of her ideas, especially that of love. I thought that the scene were Roark goes into Dominique’s bedroom and ‘claims’ her, was completely unnecessary (well, actually, maybe not unnecessary but in my point of view it went a bit too far.) The reason I liked this book was combination of factors – I liked it because of a sense of accomplishment when I got to the end of such a heavy and long book, because I agreed with the ideals she presented (even if some of them appeared as caricatures) and most of all, I like Rand’s books because she somehow manages to leave a sense of hope and resolution even though there is never exactly a ‘happy ending’.

I know that many people regard Rand’s writing as a ‘cult’. I don’t. I like reading her novels, and I don’t every think I have to hide them. I like her ideas; I like the idea of independent thinking. The problem is that I know that no matter how much I try, whatever I think will just be a copy of what someone else had thought before, and I can assume that much. What I do try to achieve, is to read, watch and listen to as many opinions and thoughts as possible, I can then try to decide which mix of ideas makes the most sense to me. By then saying ‘yes’ to these ideas, they can become ‘mine’, independent of who created the thoughts/values.

Thursday, 2 April 2015

Catch-22 by Joseph Heller

“...[A]nything worth dying for ... is certainly worth living for.” 


Catch-22 by Joseph Heller is set during WWII on island of Pianosa (though the setting is of little importance). It follows the story of a common soldier, Yossarian, and his friends. Yossarian has lost many of his colleagues and friends to the war. His problems are further perpetuated by Colonel Cathcar, who keeps raising the number of missions the men had to fly to complete their service. No matter, how much Yossarian longs to be sent home, he is trapped by a ‘Catch-22’. The term, coined by Heller, refers to the paradoxical set of circumstances that the characters are often faced with; especially, the idea that any soldier who is willing to fly is insane and could be sent home if he asked for it, however, as soon as he asks to be sent home he shows concern for his safety and is therefore of a rational mind.

Heller’s satirical book is, despite initial controversy, a defining novel of the 20th Century. Despite it being set during WWII, the book concerns postmodernist ideas. The book is still taught in schools and contains important critiques that can still be applied to modern society. Any reader has to be prepared to face the absurdity of Heller’s work. Personally, I did not enjoy the book. However, this is because I prefer the structure and predictability of Victorian literature. But I am glad that I read this book. I thought Heller presented very important ideas and I agreed with many of his values; some of these ideas will be explored later in this review.

The novel has become representative of postmodernist literature by its subversion of form to represent the zeitgeist of the time. The book uses an ‘anti-novel’ structure and an ‘anti-hero’. The book rejects many of the traditional novel formats. The book is not written in chronological order and does not follow the structure of introduction, climax and conclusion. Instead the reader is introduced to Yossarian in a hospital talking about events that will only occur at the end of the book. Yossarian talks about the death of Snowden during a mission that isn’t described until the second last chapter of the book. The novel also has an ambiguous ending, living questions unanswered. Yossarian, the protagonist, is not a ‘hero’. Yossarian has many faults and is quite insane – or at actually he is quite sane in an insane world. Yossarian does not have the courage and intengrity that heroes often display. The whole plot follows Yossarian’s plan to escape, including the lies he creates to stay in a hospital where he can escape his duties. These are two of the main ways that Heller changes the format of books in order to represent the new values of the postmodern world.

Themes

Wednesday, 1 April 2015

Stasiland by Anna Funder

“Though it is the hardest thing, to work out one's weight and heft in the world, to whittle down all that I am and give it a value.” - Anna Funder
Stasiland is Australian Anna Funder’s literary journalism of Germany’s dark past.  In 1996, seven years after the reunification of Germany, Funder is working in television in West Berlin and grows interested in the occupants of the former German Democratic Republic. She explores the stories of the victims and perpetrators of the Stasi in East Germany. Anecdotes are drawn from people who answer to Funder’s newspaper advertisements and Funder’s own acquaintances. Miriam is the ‘tragic hero’ of the text. Funder sympathises with the 16-year-old who came to be considered an enemy of the state. Miriam tells the story of Charlie, her husband that was killed in custody. Miriam’s story is interwoven with the stories of Julia and Frau Paul. Julia is Funder’s land lady, although reluctant about telling her story, shares the details of how her family went through “internal emigration”. Julia was ostracized because of her Italian boyfriend even though she had no intentions to go against the state. Frau Paul shares her story of how her sick baby was taken to West Berlin for treatment and because of her attempts to visit her son she becomes embroiled with a group helping people leave East Berlin. These sad stories are mixed with the stories of the perpetrators, the people who worked with or helped the Nazi, including Herr Winz, Hagen Koch, Karl E. Schnitzler and Herr Bock. Many of these men think back to the GDR with nostalgia and little to none remorse. Funder’s story is a personal and passionate exploration of Germany’s Stasi epoch.

I really enjoyed Stasiland, and I don’t often read non-fiction. Funder’s literary journalism style may not be conventional or the most factual but I found that it is creates a very interesting way to read non-fiction. I could empathise with these real life characters and it added a breath of fresh air into a topic that is now often seen only through the details of school textbooks.

Monday, 22 September 2014

Brave New World by Aldous Huxley

“One believes things because one has been conditioned to believe them.”

Brave New World by Aldous Huxley reminds me of a more disturbing and extreme version of 1984. The 20th Century novel is set in London in 2540 (in the book, known as 632 after Ford).  The world is stable; nobody ever suffers, the world is united, the people are happy and everyone is in a job that is satisfactory to them. However, this means controlling everything; the world has a stable population of 2 billion, children are ‘manufactured’ in labs, genetically modified to fit a caste and then educated – almost traumatized/terrorized – to fit into society. The lower castes (the majority of the population) are bred through a process in which one single egg produces up to 96 identical children. When Bernard and Lenina travel to the “Savage Reservation”, they are shocked at the difference between the two worlds. They end up encountering, John, a young man that was born from World State parents but born and raised in the Savage World. John is an outsider due to his appearance in the primitive village, and finds comfort in reading Shakespeare. Bernard decides to take John and his mother back to London. However, John finds the ‘civilized’ society appalling and is still feels as the outsider...

Friday, 17 January 2014

Little Dorrit by Charles Dickens


“You will profit by failure, and will avoid it another time. I have done a similar thing myself, in construction, often. Every failure teaches a man something, if he will learn.”


Little Dorrit by Charles Dickens is the tale of the intertwining lives of 19th Century British families, from different social and economic statuses. Little Dorrit was born and raised in the Marshalsea debtors’ prison. She meets Mr. Clennam, who had just returned from his travels abroad, after his father died and left a mysterious watch for Mrs. Clennam. After seeing his mother being unusually nice to Little Dorrit he begins to suspect that his mother, the watch and Little Dorrit are all connected. He also suspects that his mother had taken some part in the financial state of the Dorrits. Mr. Clennam, with the help of friends and high powered connections investigate this case. What we find out in the end is a bigger twist to the story than Mr. Clennam ever suspected when he began to investigate.

Like many 19th Century, English classics, Little Dorrit is a humongous text that explores the unfair working of society, the gap in the upper and lower classes and especially, the obsession people have with money. I found this book was sometimes very confusing and at other times very intriguing. The start was very long and it only became to be interesting only a third of the way in, mostly because it was when I started to understand the story – others more proficient in classic literature may completely disagree with me. What I found the hardest to follow were all the jumps from each family every few chapters. However, I didn’t worry about this too much because I had already learnt from Les Miserables by Victor Hugo, which followed the same style. And as expected, the confusion all pays off when all the characters come together to form part of just one story.
Warning: This is a somewhat lengthy review  of the ideas on the book and it contains  some spoilers.

Friday, 17 May 2013

The Great Gatsby by F. Scott Fitzgerald


“The loneliest moment in someone’s life is when they are watching their whole world fall apart, and all they can do is stare blankly.”The Great Gatsby by F. Scott Fitzgerald is a classic American novel. The story is told by Nick as he shares his point on view of the people around him and of course, about the mystifying Gatsby. Gatsby, like the country, is young. Gatsby’s past mysterious, his stories don’t match up and the reasons he has done everything so far is unclear. Nick uncovers the truth, or at least what we think is the truth, of the man.I guess if you are reading this you want to know if it is a good book to read. Before I start discussing the novel and analyzing it, I will start by answering this. I have heard many people who have enjoyed this book, it is even being made into a movie but I wouldn’t recommend it to anyone.

Saturday, 6 April 2013

Frankenstein by Mary Shelley


“Beware; for I am fearless, and therefore powerful.”  - From the novel, Frankenstein


Frankenstein by Mary Shelley is Gothic genre book written in the 1818. Victor Frankenstein is an university student whose ambitions and passion for the science leads him to create something no one has ever deemed possible, he created life using dead humans' body parts. However, as soon as he finishes his project he realises the mistake.To him, the monster is vile and gruesome. The story is told through the letters of Captain Robert Walton, who found Frankenstein nearly at a state of emaciation. His letter not only incorporates Victor's story telling but Victor's own letter and even the monster's side of the story as he tells it to Victor who then tells it to Walton. 

How do I begin..

The novel was completely different to what I imagined and it gets me so frustrated that the movies are so different to the book. I don't think Mary Shelley would have been too happy with the movies made of Frankenstein  not only because they are so different but because they lose the themes and morals. There are various movies that came out on Frankenstein but most of them have the Creature as some sort of complete monster who can't talk at all other than grunts. In the book Frankenstein was so eloquent and always gave an explanation as to why he became the way he was. In one of the movies the Monster was bad tempered was because the brain used was a criminal's brain, however in the book the Monster killed people because of the injustice that he suffered because of his appearance. Also, they even changed the name of Victor Frankenstein to Henry and made the character lose the feeling of isolation. In one of the movies there are sequels (eg. Frankenstein's Bride) but in the book Frankenstein died... I mean, I know movies are usually a bit different to books so that it flows more and scenes are changed so that emotions and reasoning are depicted visually rather than worded out but this is just ridiculous.  

Sunday, 10 June 2012

To Kill a Mockingbird by Harper Lee


"Mockingbirds don't do one thing but make music for us to enjoy... but sing their hearts out for us. That's why it's a sin to kill a mockingbird." 



To Kill a Mockingbird by Harper Lee is a classic book. It is told by Scout as she looks back at her childhood, during the great depression in a Southern town of the USA. The second part follows the story of the court case of Tom Robinson and how he is judged unfairly because of his skin colour.

At the time of release this book was controversial; bashed by some and praised by others. Even now it is still  banned in some U.S states. Nevertheless it is now a classic and with the title of classic comes words such as 'ancient', 'educative'and probably 'boring'. To me, it was no exception. I was told to read for school. I was handed an old looking book and listened with dread as other students recounted how boring they bound it. Eventually when I started reading (I had to, there was a test coming up!) I found myself actually enjoying this book. I didn't think it was the best book ever written as my teacher said but it was definitely a book I would keep reading with or without a test.